Publication: 泰國曼谷三奶廟之“李三娘”神祗研究
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2020
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cn
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Journal of Liberal Arts Thammasat University
วารสารศิลปศาสตร์ มหาวิทยาลัยธรรมศาสตร์
วารสารศิลปศาสตร์ มหาวิทยาลัยธรรมศาสตร์
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20
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1
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165
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183
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泰國曼谷三奶廟之“李三娘”神祗研究
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An Exploration of “Li Sanniang”: A God Worshipped in Bangkok Sam Nai Keng Shrine
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Abstract
泰國曼谷的三奶廟 (Sam Nai Keng Shrine),又名“三奶夫人廟”,是泰國曼谷地區(京、吞兩府)唯一一座祭祀陳、林、李三位夫人的神廟。當前,該廟隸屬於泰國客家總會下轄的神廟保管委員會管理。曼谷三奶廟不僅是泰國曼谷地區客家族群歷史發展的見證,也是探究客家文化在泰國發展、變遷的重要依據。藉助田野考察對曼谷三奶廟中“李三娘”神誕儀式的分析,以及對曼谷三奶廟創建背景的探析不難發現,“李三娘”實際為客家“姑婆”信仰的一種變遷,同時也是天地會“洪門”組織“拜月”思想的信仰實踐。因此“李三娘”的神祗來源及其被客家族群的奉祀,是多種歷史緣由及社會發展所共同構建的一種神祗信仰。
The Sam Nai Keng Shrine is the only shrine dedicated to the three female gods of Chen, Lin, and Li in Bangkok and Thonburi in Thailand. At present, the Sam Nai Keng Shrine is under the supervision of the Hakka Association of Thailand. The Sam Nai Keng Shrine is a witness to the development of the Hakka Chinese in Bangkok, and is thus a significant factor when investigating the historical development and change of the Hakka culture. Through field investigations into the ritual of Li’s birth and the building of Sam Nai Keng Shrine, it was found that Li was a representative of the adjustment to a belief in “Gu Po” and the practice of believing in “Moon Salutation”, which originated from Hongmen (also known as the Heaven and Earth Society). It was therefore concluded that the origin of Li and Li worship among Hakka Chinese was the result of historical and social development.
The Sam Nai Keng Shrine is the only shrine dedicated to the three female gods of Chen, Lin, and Li in Bangkok and Thonburi in Thailand. At present, the Sam Nai Keng Shrine is under the supervision of the Hakka Association of Thailand. The Sam Nai Keng Shrine is a witness to the development of the Hakka Chinese in Bangkok, and is thus a significant factor when investigating the historical development and change of the Hakka culture. Through field investigations into the ritual of Li’s birth and the building of Sam Nai Keng Shrine, it was found that Li was a representative of the adjustment to a belief in “Gu Po” and the practice of believing in “Moon Salutation”, which originated from Hongmen (also known as the Heaven and Earth Society). It was therefore concluded that the origin of Li and Li worship among Hakka Chinese was the result of historical and social development.