Publication: ศึกษาวิเคราะห์กลอนลำของหมอลำเคน ดาเหลา เชิงสุนทรียศาสตร์
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2012
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ศึกษาวิเคราะห์กลอนลำของหมอลำเคน ดาเหลา เชิงสุนทรียศาสตร์
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Aesthetic analysis Khen Dalao's poetry Isan Folk Song
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Abstract
The objectives of this research were to 1) study Aesthetics 2) study autobiography and works of Mr. Khen Dalao 3) study and analyze Klornlam (Isan Folk Song Poetry) of Mr. Khen Dalao in Aesthetical aspect on which the words or statements derived from the songs had been analyzed through Aesthetical Concept to search for meaning in accordance with Aesthetical imagination and experience of Mr. Khen Dalao. From the analytical Study in Aesthetics it was found that the concept involving with the Aesthetics had been classified into 3 big important groups included: 1) the group of subjectivism believed that beauty was based on our mind
Aesthetical value was the property of mind 2) the group of objectivism believed that the Aesthetical value was original property of the material itself 3) the group of relativism believed that the Aesthetics was the property of both mind and material, and it was found that there had been 3 important theories included: Theory of Representation, Theory of Form, and Theory of Expression. From the study about autobiography of Mr. Khen Dalao, it was found that there had been roles and important responsibilities as follows: 1) he was professional Isan Folk Songs singer 2) he was Isan Folk Song writer 3) he was teacher of general Isan Folk Songs 4) he was really entertainer and social supporter 5) he was national artist in 1991 in the field of Isan Folk Songs performance (Mohlam). From the analysis on the aesthetical essence from Isan Folk Songs of Mr. Khen Dalao it was found that there had been 9 tasteful essences as follows: 1) Singā Rasa (Taste of love), well-wish in love of male and female 2) Hassa Rasa (Taste of fun), pleasure 3) Karunā Rasa (Taste of sorrow), tragedy 4) Ruta Rasa (Taste of anger), fury 5) Vīra Rasa (Taste of encourage), bravery 6) Bayānaka Rasa (Taste of fear), frightening 7) Vibhaccha Rasa (Taste of hate), ill will 8) Abbhuta Rasa (Taste of amazing), wonderfulness 9) Santa Rasa (Taste of peacefulness) calmness, therefore, the tasteful essences appeared in the Isan Folk Songs were really emotional feeling of the tasteful essences towards the listeners.
Aesthetical value was the property of mind 2) the group of objectivism believed that the Aesthetical value was original property of the material itself 3) the group of relativism believed that the Aesthetics was the property of both mind and material, and it was found that there had been 3 important theories included: Theory of Representation, Theory of Form, and Theory of Expression. From the study about autobiography of Mr. Khen Dalao, it was found that there had been roles and important responsibilities as follows: 1) he was professional Isan Folk Songs singer 2) he was Isan Folk Song writer 3) he was teacher of general Isan Folk Songs 4) he was really entertainer and social supporter 5) he was national artist in 1991 in the field of Isan Folk Songs performance (Mohlam). From the analysis on the aesthetical essence from Isan Folk Songs of Mr. Khen Dalao it was found that there had been 9 tasteful essences as follows: 1) Singā Rasa (Taste of love), well-wish in love of male and female 2) Hassa Rasa (Taste of fun), pleasure 3) Karunā Rasa (Taste of sorrow), tragedy 4) Ruta Rasa (Taste of anger), fury 5) Vīra Rasa (Taste of encourage), bravery 6) Bayānaka Rasa (Taste of fear), frightening 7) Vibhaccha Rasa (Taste of hate), ill will 8) Abbhuta Rasa (Taste of amazing), wonderfulness 9) Santa Rasa (Taste of peacefulness) calmness, therefore, the tasteful essences appeared in the Isan Folk Songs were really emotional feeling of the tasteful essences towards the listeners.
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ปรัชญามหาบัณฑิต
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ปริญญาโท
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บัณฑิตวิทยาลัย
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มหาวิทยาลัยขอนแก่น