Publication: 以“禅” 的审美理论解析电影《刺客聂隐娘》
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2018
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cn
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中国语言文化学刊
Journal of Chinese Language and Culture, Huachiew Chalermprakiet University
วารสารวิชาการภาษาและวัฒนธรรมจีน มหาวิทยาลัยหัวเฉียวเฉลิมพระเกียรติ
Journal of Chinese Language and Culture, Huachiew Chalermprakiet University
วารสารวิชาการภาษาและวัฒนธรรมจีน มหาวิทยาลัยหัวเฉียวเฉลิมพระเกียรติ
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5
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1
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以“禅” 的审美理论解析电影《刺客聂隐娘》
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ANALYZE THE MOVIE "THE ASSASSIN" WITH AESTHETIC THEORY OF"ZEN"
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Abstract
电影《刺客聂隐娘》是一部具有浓厚“禅”的意味的武侠片，其艺术语言与“禅”的精神具有内涵相通之处，文章从禅的哲学角度着眼论述电影艺术语言所蕴含的精神，以禅的不立文字、即心即佛、顿悟的哲学概念去对应电影创作的精神表达、创作意图、镜头语言这几点进行论述，阐述禅的精神如何潜移默化的使电影的艺术语言呈现空寂、幽玄的意境之美，探寻哲学精神与艺术创作的融入之道。
The film "The Assassin" is a martial arts film with a strong "Zen" meaning. Its artistic language has the same meaning with the spirit of "Zen". The article discusses the spirit contained in the film artistic language from the perspective of Zen philosophy, This paper discusses the spiritual expression, creative intention and lens language of Zen, which is the philosophical concept of Zen, that is, Buddhism and Epiphany. It elaborates how the spirit of Zen can subtly subjugate the artistic language of the film to a state of silence, Secluded mysterious artistic conception , exploring the integration of philosophical spirit and artistic creation.
The film "The Assassin" is a martial arts film with a strong "Zen" meaning. Its artistic language has the same meaning with the spirit of "Zen". The article discusses the spirit contained in the film artistic language from the perspective of Zen philosophy, This paper discusses the spiritual expression, creative intention and lens language of Zen, which is the philosophical concept of Zen, that is, Buddhism and Epiphany. It elaborates how the spirit of Zen can subtly subjugate the artistic language of the film to a state of silence, Secluded mysterious artistic conception , exploring the integration of philosophical spirit and artistic creation.