Publication: 唐五代批评视野中的韩柳文及韩柳并称
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2017
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cn
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中国语言文化学刊
Journal of Chinese Language and Culture, Huachiew Chalermprakiet University
วารสารวิชาการภาษาและวัฒนธรรมจีน มหาวิทยาลัยหัวเฉียวเฉลิมพระเกียรติ
Journal of Chinese Language and Culture, Huachiew Chalermprakiet University
วารสารวิชาการภาษาและวัฒนธรรมจีน มหาวิทยาลัยหัวเฉียวเฉลิมพระเกียรติ
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4
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1
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25
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34
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唐五代批评视野中的韩柳文及韩柳并称
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ON THE COLLECTIVE TITLE OF “HAN LIU” IN THE VIEW OF CRITICISM DURING TANG AND FIVE DYNASTIES
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Abstract
韩愈、柳宗元因文章的典范意义，被世人并称为“韩柳”。二人也因此被视为中唐文体文风改革的领袖。当今几乎所有的中国文学史及散文史著作都如持这种观点。但学界的这种观点并不太符合唐代的事实。实际上，韩柳并称在唐代并不是批评的主流，二人在当时并未同时被世人看做是文风改革的领袖。韩愈在中唐已逐渐确立“文宗”的地位，其求奇求新之文风具有巨大影响的同时也引起极大争议，而柳宗元的影响则相对微弱得多。韩柳文并称在晚唐才出现。而韩柳并称以及二人同被世人目为文坛领袖的观点则是在北宋以后才逐渐流行并定型。
Han Yu and Liu Zongyuan have been called “Han Liu” for their modle of prose. They are also treated as the leader promoting the stylistic innovation. Most books about the history of Chinese literature and classical prose hold this view. But that is inconsistent with historical facts. In fact, Han Yu and Liu Zong yuan were not both treated as the leader promoting the stylistic innovation at the same time during their lifetime. Han Yu had already been treated as Master of literature but the effect of Liu Zongyuan was much weaker. The Collective Title of “Han Liu” and the view that they both was treated as the leader promoting the stylistic innovation appeared in Late Tang and fell into a pattern in Song dynasty.
Han Yu and Liu Zongyuan have been called “Han Liu” for their modle of prose. They are also treated as the leader promoting the stylistic innovation. Most books about the history of Chinese literature and classical prose hold this view. But that is inconsistent with historical facts. In fact, Han Yu and Liu Zong yuan were not both treated as the leader promoting the stylistic innovation at the same time during their lifetime. Han Yu had already been treated as Master of literature but the effect of Liu Zongyuan was much weaker. The Collective Title of “Han Liu” and the view that they both was treated as the leader promoting the stylistic innovation appeared in Late Tang and fell into a pattern in Song dynasty.