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การมาเยือนของหญิงชรา: ปฏิบัติการสร้างสรรค์ละครฝรั่งเพื่อผู้ชมไทย
อาทรี วณิชตระกูล, Vanichtrakul, Arthri (2018)
The aim of this practiced based research was to explore the creative theatrical process. The objectives of the research were to examine a play script based on the original Western dramatic literature, The Visit, which was adaptedusing Buddhist... direction. The findings reveal that Thai audiences can understand the theme of the play and also the agony of the characters. In conclusion, presenting this play based on Western dramatic literature could be understood by Thai audiences as the literature’s
เจตจำนงเสรีของพระลอ: แนวทางการกำกับการแสดงละครเวทีเรื่อง “ลอดิลกล่มฟ้า”
พรรณศักดิ์ สุขี, วิชชุตา วุธาทิตย์ (2020)
philosophical concepts of Free Will and Determinism to solve the dramatic question of “Fate and Free Will” in order to discover the Universality in theme to communicate to Non-Thai audiences. The findings reveal that, the characterization of Phra Lor
จากบทพูดสู่การเคลื่อนไหว : การสร้างสรรค์การแสดง เรื่อง ปลวก
ปัณณทัต โพธิเวชกุล, Po-dhivejakul, Pannatat (2018)
beings, who often ignore that threat until it destroys everything inside them. This creative work, The White Ants, uses the ana-lytic method and dramatic interpretation to cre-ate a storyline. In addition, using the composite of dramatic arts
Confronting Otherness through Theatre: On Directing The Merchant of Venice for Thai Audiences
Na-pombejra, Dangkamon (2021)
rules that would encourage Thai audiences to embrace new perspectives by watching the performance. The production was directed by the author in 2018 in the Department of Dramatic Arts in the Faculty of Arts at Chulalongkorn University. The directing