. This paper examines dramatic techniques in Caryl Churchill’s latest play Love and Information (2012) through the lens of Marxist and poststructuralist theories. In this paper, I argue that Churchill appropriates Bertolt Brecht’s dramatic elements of epic

. Then the wedding had been held. This play-within-a-play had its own ending as stated in Sahityadarpana. The influence of play-within-a-play upon the principal plays was to emphasize dramatic action in context of plot development. On the other hand, in the context