Publication:
The Gothic Appropriation in S.T. Coleridge’s “The Rime of the Ancient Mariner”

dc.contributor.authorUttama, Choedphong
dc.coverage.temporal1798-1798
dc.date.accessioned2023-12-14T17:12:31Z
dc.date.available2023-12-14T17:12:31Z
dc.date.issued2016
dc.date.issuedBE2559
dc.description.abstractThis paper employs Michael Gamer’s argument in Romanticism and the Gothic (2006) to interpret various Gothic elements in Samuel T. Coleridge’s “The Rime of the Ancient Mariner”. Gamer argues that Romantic poets, in order to gain wide readership and money and to avoid critical aspersions, attempted to appropriate the materials associated with Gothic writing. These poets, while writing negative critical reviews of Gothic works, composed Gothicised poems or poems with Gothic elements and discourses. Coleridge, like other major Romantic writers, saw the necessity for carefully appropriating the popular conventions associated with the Gothic, and “The Rime” is an example of his attempt at this Gothic appropriation. The poem is characterised by Coleridge’s attempt to incorporate various supernatural elements by presenting them as acceptably as possible.
dc.identifier.urihttps://harrt.in.th/handle/123456789/1438
dc.language.isoen
dc.subject.isced0232 วรรณคดีและภาษาศาสตร์
dc.subject.oecd6.2 ภาษาและวรรณคดี
dc.titleThe Gothic Appropriation in S.T. Coleridge’s “The Rime of the Ancient Mariner”
dc.typeบทความวารสาร (Journal Article)
dspace.entity.typePublication
harrt.itemID82
harrt.researchAreaวรรณกรรมอังกฤษ
harrt.researchGroupภาษาอังกฤษ
harrt.researchTheme.1วิเคราะห์วรรณกรรม/วรรณคดี
harrt.researchTheme.2กวีนิพนธ์
mods.location.urlhttps://so06.tci-thaijo.org/index.php/thoughts/article/view/90506
oaire.citation.endPage18
oaire.citation.startPage1
oaire.citation.titleThoughts 
oaire.citation.volume2
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