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āļ§āđˆāļēāļ”āđ‰āļ§āļĒ â€œāļāļēāļĢāļ„āļ·āļ™āļŠāļĩāļžâ€ āļ‚āļ­āļ‡āļ•āļąāļ§āļĨāļ°āļ„āļĢāđƒāļ™āļ§āļĢāļĢāļ“āļāļĢāļĢāļĄāđ„āļ‹āļ­āļīāđ‹āļ§āļ‰āļšāļąāļšāļ­āļđāđ‹āđ€āļ‰āļīāļ‡āđ€āļ­āļīāļ™

āļŠāļļāļĢāļŠāļīāļ—āļ˜āļīāđŒ āļ­āļĄāļĢāļ§āļ“āļīāļŠāļĻāļąāļāļ”āļīāđŒ, éŧ„, æą‰åĪ, Amornwanitsak, Surasit (2022)

The purpose of this article is to discuss the reasons for the resurrection of the characters in Journey to the West. It is possibly associated with the creative confrontation of Buddhist, Taoist, and Confucian thoughts. The result shows... the resurrection of characters in the novel appears in many events. These are some examples: Sun Wukong becomes immortal after he wiped his name out of the Book of Life and Death; Chen Guangrui is brought back to life by the Dragon King of River Hong; the soul

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āđ€āļŦāļ•āļļāđāļŦāđˆāļ‡āļ›āļēāļāļīāļŦāļēāļĢāļīāļĒāđŒāļāļēāļĢāļŸāļ·āđ‰āļ™āļŠāļĩāļ§āļīāļ•āļ‚āļ­āļ‡āļĄāļ°āļ—āđŒāļ‹āļļāļ§āļ°āļāļ°āđāļĨāļ°āļ āļēāļžāļ‚āļ­āļ‡āļžāļĢāļ°āļ­āļēāļˆāļēāļĢāļĒāđŒ āđƒāļ™āļšāļ—āļĨāļ°āļ„āļĢāđ‚āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļ—āļ°āļ™āļīāđ‚āļ

āļ§āļīāļ™āļąāļĒ āļˆāļēāļĄāļĢāļŠāļļāļĢāļīāļĒāļē (2018)

This research aims at studying causes of the miracle of the resurrection of Matsuwaka in the Noh play: Tanikou. The research also studies the image of the yamabushi leader as a teacher and leader of the yamabushi ascetic group. The research finds... that Matsuwaka’s filial piety for his mother is one of the causes of the deity coming down to resurrect him. However, the deity comes in response to the yamabushi’s request for help. The cause of the yamabushi’s request is the need to have the leader to go

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āļ­āļļāļ•āļŠāļēāļŦāļāļĢāļĢāļĄāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāđāļĨāļ°āļ āļēāļ„āļŠāļ™āļšāļ—āļˆāļĩāļ™: āļāļĢāļ“āļĩāļĻāļķāļāļĐāļēāļŦāļĄāļđāđˆāļšāđ‰āļēāļ™āļāļĨāļēāļ‡āļ™āđ‰āļģāđ‚āļˆāļ§āļˆāļ§āļ‡ āđāļĨāļ°āđ€āļĄāļ·āļ­āļ‡āđ‚āļšāļĢāļēāļ“āļ•āđ‰āļēāđ€āļŦāļĒāļĩāļĒāļ™āļĨāļĩāđˆāđ€āļˆāļĩāļĒāļ‡

āļĻāļīāļĢāļīāļžāļĢ āļĻāļĢāļĩāļŠāļīāļ™āļ˜āļļāđŒāļ­āļļāđ„āļĢ, āļšāļļāļĢāļīāļ™āļ—āļĢāđŒ āļĻāļĢāļĩāļŠāļĄāļ–āļ§āļīāļĨ, 喜äļ―å―­ ▩ čĨŋæ–°æ‚ŸčŽą, åū, æ­Ķ林, Srisinaurai, Siriporn, Srisomthawin, Burin (2014)

This research paper focuses on the present status and development of cultural industrialization in rural China. The research explores the repercussion of the state-led cultural industries on rural China including the resurrection and invention

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Revenge, resurrection and redemption: mapping the mystiques of mimesis in Stieg Larsson’s The Girl with the Dragon Tattoo

Padgate, Usa (2022)

of desire are marked by the Christian themes of revenge, resurrection and redemption. This suggests that mimesis directs the plot and motivates the players, and that cultural ideologies, such as a major world religion, are indeed too potent and irresistible

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āļœāļĨāļāļĢāļ°āļ—āļšāļ‚āļ­āļ‡āļ—āļļāļ™āļ™āļīāļĒāļĄāđƒāļ™āļĄāļŦāļēāļ™āļ„āļĢāđ€āļ‹āļĩāđˆāļĒāļ‡āđ„āļŪāđ‰āļĒāļļāļ„āļŦāļĨāļąāļ‡āđ€āļŦāļĄāļē: āļāļĢāļ“āļĩāļĻāļķāļāļĐāļēāđāļ™āļ§āļ„āļīāļ”āļ›āļąāļˆāđ€āļˆāļāļŠāļ™āļ™āļīāļĒāļĄāđāļĨāļ°āļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāļŠāļēāļĒāļŦāļāļīāļ‡āđƒāļ™āļ™āļ§āļ™āļīāļĒāļēāļĒāđ€āļĢāļ·āđˆāļ­āļ‡ Candy āļ‚āļ­āļ‡āđ€āļŦāļĄāļĩāļĒāļ™ āđ€āļŦāļĄāļĩāļĒāļ™

āļāļīāļ•āļīāļĄāļē āļāļĄāļĨāđ€āļ™āļ•āļĢ, āļžāļīāļŠāļāļē āļ•āļīāļĒāļ°āļĢāļąāļ•āļ™āļēāļŠāļąāļĒ, Kamolnate, Thitima, Tiyarattanachai, Pitchaya (2017)

The purpose of the journal is to study Mian Main’s Candy under the topic of individualism and heterosexual relationship. The novel shows that individualism resulting changes in heterosexual relationship is concerned with the resurrection of Shanghai

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“Remember Me, in Your Stories and in Your Songs” The Magical Journey to Celtic Cultural Resurrection and the Re-Discovery of Self in Song of the Sea

Painark, Wisarut, āļ§āļīāļĻāļĢāļļāļ• āđ„āļœāđˆāļ™āļēāļ„ (2019)

This study examines the deployment of magical realism along with cinematic techniques in Song of the Sea. Analysing the animated film as a cultural text in light of magical realism, it argues that the film intermingles two different worlds, the mundane and the fantastic, to provide audiences with a more inclusive view of reality. The existence of Celtic mythical beings, selkies, brought to life by magical realism, becomes the cornerstone in the protagonists’ healing process as their interactions with these mythical beings gradually reshape their conception of reality. A new “reality” is, thus, employed to vex the protagonists’ mind and make them reconsider reality in a new light by helping them vividly see Irish cultural aspects in their mundane life. Taking two selkies, Bronagh and Saoirse, as a metaphor for Irish cultural roots, this paper asserts that the protagonists’ embarking on their magical journey to retrieve the selkie’s coat not only heals their shattered selves but also induces them to hark back to their cultural roots. Ultimately, the research posits that the protagonist’s newly developed self, which eventually allows him and his family to come to terms with their loss, resolves his conflict with Saoirse, who successfully prevents the Irish cultural roots from being forgotten.

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āļāļēāļĢāļ›āļĢāļ°āļāļ­āļšāļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļˆāļĩāļ™āđƒāļ™āļāļēāļ™āļ°āļŠāļīāļ™āļ„āđ‰āļēāļ—āļēāļ‡āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāđƒāļ™āļŠāļļāļ”āļĢāļ§āļĄāđ€āļĢāļ·āđˆāļ­āļ‡āļŠāļąāđ‰āļ™āļ‚āļ™āļēāļ”āļĒāļēāļ§āđ€āļĢāļ·āđˆāļ­āļ‡ Beautiful Days āļ‚āļ­āļ‡ āđ€āļ–āļīāļ‡ āđ€āļŠāļĩāđˆāļĒāļ§āļŦāļĨāļēāļ™

āļāļīāļ•āļīāļĄāļē āļāļĄāļĨāđ€āļ™āļ•āļĢ, āļ­āļļāļĄāļēāļžāļĢ āđƒāļĒāļ–āļēāļ§āļĢ, Kamolnate, Thitima, Yaithavorn, Umaporn (2018)

Beautiful days is a set of novellas written by Teng Xiaolan and translated to English in 2014. The Author uses Shanghai resurrected to be one of China’s important cosmopolitans as a main setting. Meanwhile, the stories are developed around