. This paper examines dramatic techniques in Caryl Churchill’s latest play Love and Information (2012) through the lens of Marxist and poststructuralist theories. In this paper, I argue that Churchill appropriates Bertolt Brecht’s dramatic elements of epic

of English people living in the upper class, and how English girls live and are depressed in lower position with men’s oppression and without freedom. She illustrates their living through her narratives – dramatizing gender inequality, which are filled

by the dramatic turns of political changes, Irish childhood presents the Irish poets of different generations with the challenging task of reworking literary tradition, national history, and identity. To understand how contemporary Irish poets, Seamus Heaney

and argues that Hosseini exploits this particular cross-cultural value in order to generate appreciation of the female sex under the extensively oppressive Taliban rule. As a result, Hosseini succeeds in achieving dramatic impact and creating memorable female

of literature, comprising a variety of contents that are narrative, lyrical and dramatic in nature. Some of the difficulties teachers face while teaching English through poetry are the students’ proficiency level, the teachers’ method of teaching and the chosen

Drawing on the critical practice of affect theory, this paper reads Toni Morrison’s Beloved’s nuanced representations of love and selfishness as instances of a racialized affect. While many critics have generally noted Morrison’s dramatization

the dichotomous quality commonly attributed to law. By juxtaposing the implementation of law and religious practices, the novel’s dramatization of the collision between these two forces shows that emotion and feeling are never absent from the allegedly