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Burqa, Polygyny, Purdah, and Maternity: Slippery Aspects of Female Oppression in Khaled Hosseini’s A Thousand Splendid Suns
Boonpromkul, Phacharawan (2015)
and argues that Hosseini exploits this particular cross-cultural value in order to generate appreciation of the female sex under the extensively oppressive Taliban rule. As a result, Hosseini succeeds in achieving dramatic impact and creating memorable female
Secularity, Emotion and Law in Ian McEwan’s: The Children Act
Rattanamathuwong, Bancha, บัญชา รัตนมธุวงศ (2020)
the dichotomous quality commonly attributed to law. By juxtaposing the implementation of law and religious practices, the novel’s dramatization of the collision between these two forces shows that emotion and feeling are never absent from the allegedly
“I AM BELOVED and she is mine”:Love and Its Sinister Sister in Toni Morrison’s Beloved
Pan-iam, Morakot (2016)
Drawing on the critical practice of affect theory, this paper reads Toni Morrison’s Beloved’s nuanced representations of love and selfishness as instances of a racialized affect. While many critics have generally noted Morrison’s dramatization
Echo from Marriages Depicted in Pride and Prejudice
Pomin, Thanaphorn (2014)
of English people living in the upper class, and how English girls live and are depressed in lower position with men’s oppression and without freedom. She illustrates their living through her narratives – dramatizing gender inequality, which are filled