The purpose of this article is to discuss the reasons for the resurrection of the characters in Journey to the West. It is possibly associated with the creative confrontation of Buddhist, Taoist, and Confucian thoughts. The result shows... the resurrection of characters in the novel appears in many events. These are some examples: Sun Wukong becomes immortal after he wiped his name out of the Book of Life and Death; Chen Guangrui is brought back to life by the Dragon King of River Hong; the soul

This research aims at studying causes of the miracle of the resurrection of Matsuwaka in the Noh play: Tanikou. The research also studies the image of the yamabushi leader as a teacher and leader of the yamabushi ascetic group. The research finds... that Matsuwaka’s filial piety for his mother is one of the causes of the deity coming down to resurrect him. However, the deity comes in response to the yamabushi’s request for help. The cause of the yamabushi’s request is the need to have the leader to go

father named Vāyu, the god of wind. He gets blessed by the high god Śiva to have the great and unbeatable power. He has resurrective ability which allows him to revive his life after the death merely by a wind blow. As same as the Rāmāyaṇa story

of desire are marked by the Christian themes of revenge, resurrection and redemption. This suggests that mimesis directs the plot and motivates the players, and that cultural ideologies, such as a major world religion, are indeed too potent and irresistible

The purpose of the journal is to study Mian Main’s Candy under the topic of individualism and heterosexual relationship. The novel shows that individualism resulting changes in heterosexual relationship is concerned with the resurrection of Shanghai

This study examines the deployment of magical realism along with cinematic techniques in Song of the Sea. Analysing the animated film as a cultural text in light of magical realism, it argues that the film intermingles two different worlds, the mundane and the fantastic, to provide audiences with a more inclusive view of reality. The existence of Celtic mythical beings, selkies, brought to life by magical realism, becomes the cornerstone in the protagonists’ healing process as their interactions with these mythical beings gradually reshape their conception of reality. A new “reality” is, thus, employed to vex the protagonists’ mind and make them reconsider reality in a new light by helping them vividly see Irish cultural aspects in their mundane life. Taking two selkies, Bronagh and Saoirse, as a metaphor for Irish cultural roots, this paper asserts that the protagonists’ embarking on their magical journey to retrieve the selkie’s coat not only heals their shattered selves but also induces them to hark back to their cultural roots. Ultimately, the research posits that the protagonist’s newly developed self, which eventually allows him and his family to come to terms with their loss, resolves his conflict with Saoirse, who successfully prevents the Irish cultural roots from being forgotten.

Beautiful days is a set of novellas written by Teng Xiaolan and translated to English in 2014. The Author uses Shanghai resurrected to be one of China’s important cosmopolitans as a main setting. Meanwhile, the stories are developed around