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āļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāđƒāļˆāđƒāļ™āļ—āļĪāļĐāļŽāļĩāļŠāļļāļ™āļ—āļĢāļĩāļĒāļ°

āļŠāļļāļžāļˆāļ™āđŒ āļˆāļīāļ•āļŠāļļāļ—āļ˜āļīāļāļēāļ“, SupotChittasutthiyan (2013)

āļŠāļļāļ™āļ—āļĢāļĩāļĒāļĻāļēāļŠāļ•āļĢāđŒ āđ€āļ›āđ‡āļ™āļĻāļēāļŠāļ•āļĢāđŒāļ—āļĩāđˆāļ—āļĩāđˆāļžāļđāļ”āļ–āļķāļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļ‡āļēāļĄ āļ—āļĪāļĐāļāļĩāļŠāļļāļ™āļ—āļĢāļĩāļĒāļ°āđ€āļ›āđ‡āļ™āļ—āļĪāļĐāļāļĩāļ—āļĩāđˆāļ§āđˆāļēāļ”āđ‰āļ§āļĒāđ€āļĢāļ·āđˆāļ­āļ‡āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļ„āļ§āļēāļĄāļ‡āļēāļĄāļ•āļēāļĄāļ—āļĩāđˆāđ€āļ‚āđ‰āļēāđƒāļˆāļāļąāļ™āđ‚āļ”āļĒāļ—āļąāđˆāļ§āđ„āļ› āđāļ•āđˆāļāļēāļĢāļ—āļĩāđˆāļˆāļ°āđ€āļ‚āđ‰āļēāđƒāļˆāđƒāļ™āļ—āļĪāļĐāļŽāļĩāļŠāļļāļ™āļ—āļĢāļĩāļĒāļ° āļ•āđ‰āļ­āļ‡āđ€āļ‚āđ‰āļēāđƒāļˆāđƒāļ™āļ­āļ‡āļ„āđŒāļ›āļĢāļ°āļāļ­āļšāļ­āļ·āđˆāļ™āđ†āļ­āļĩāļ 3 āđ€āļĢāļ·āđˆāļ­āļ‡āļ”āđ‰āļ§āļĒāļāļąāļ™ āļ„āļ·āļ­ 1)āļŠāļļāļ™āļ—āļĢāļĩāļĒāļ āļēāļ§āļ° (Aesthetic State) 2...) āļĢāļđāļ›āđāļšāļšāļŠāļļāļ™āļ—āļĢāļĩāļĒāļ° (Aesthetic State) āđāļĨāļ°3) āļ—āļĪāļĐāļāļĩāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļ‡āļēāļĄ (Theory of Beauty)āļŠāļļāļ™āļ—āļĢāļĩāļĒāļ āļēāļ§āļ°āļ„āļ·āļ­āļ„āļ§āļēāļĄāļĄāļĩāļ­āļĒāļđāđˆāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļ‡āļēāļĄ āļ‹āļķāđˆāļ‡āļ•āđ‰āļ­āļ‡āđ€āļ‚āđ‰āļēāđƒāļˆāļ§āđˆāļēāļĄāļĩāļ­āļĒāļđāđˆāļ­āļĒāđˆāļēāļ‡āđ„āļĢāļ­āļĒāļđāđˆāđƒāļ™āļŠāļ āļēāļ§āļ°āđƒāļ” āļĢāļđāļ›āđāļšāļšāļŠāļļāļ™āļ—āļĢāļĩāļĒāļ° āļ„āļ·āļ­āđ€āļĢāļ·āđˆāļ­āļ‡āļ‚āļ­āļ‡āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļĢāļēāđ€āļĢāļĩāļĒāļāļ§āđˆāļēāļŠāļļāļ™āļ—āļĢāļĩāļĒāļ°āļ™āļąāđ‰āļ™āļĄāļĩāļ­āļĒāļđāđˆāļāļĩāđˆāļĢāļđāļ›āđāļšāļš āļ‹āļķāđˆāļ‡āđ‚āļ”āļĒāļ—āļąāđˆāļ§āđ„āļ›āđ€āļĢāļēāļˆāļ°āļžāļđāļ”āļ–āļķāļ‡

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āļĄāļīāļ•āļīāļŠāļļāļ™āļ—āļĢāļĩāļĒāļĻāļēāļŠāļ•āļĢāđŒāđƒāļ™āļˆāļĢāļīāļĒāļĻāļēāļŠāļ•āļĢāđŒāļ‚āļ‡āļˆāļ·āđˆāļ­

āļ­āļąāļ™āļ˜āļīāļŒāļē āđāļŠāļ‡āļŠāļąāļĒ, Anticha Sangchai (2014)

The observation that aesthetics has a crucial role to play in Confucius' ethics and that there are significant aesthetic elements in Confucius’ ethics has been widely noted in Chinese Philosophy. However there is yet to be a systematic study... on the complex relationships between aesthetics and ethics in Confucius’ philosophy. This dissertation proposes that Confucius’ exploration of aesthetics was an attempt to re-construct the possibility of a good life and a flourishing society during the Spring

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āļ­āļīāļ—āļ˜āļīāļžāļĨāļ—āļēāļ‡āļŠāļļāļ™āļ—āļĢāļĩāļĒāļĻāļēāļŠāļ•āļĢāđŒāļ‚āļ­āļ‡āļ„āļīāļ§āļšāļīāļŠāļĄāđŒāļ—āļĩāđˆāļĄāļĩāļ•āđˆāļ­āļĻāļīāļĨāļ›āļ°āļĒāļļāļ„āļŦāļĨāļąāļ‡āļŠāļĄāļąāļĒāđƒāļŦāļĄāđˆ

āļŠāļĢāļĢāđ€āļŠāļĢāļīāļ āļŠāļąāļ™āļ•āļīāļ˜āļĒāļ°āļ§āļ‡āļĻāđŒ, Sansern Santitayawong (2017)

Cubism is the most significant art movement in the 20th century, which resulted in two major characteristics : Geometrical abstraction and Art anti Art. The "Art anti Art" is one of the most important revolution in the western-aesthetics principle... which influences Postmodern Art. This study shows the aesthetical development of Cubism from the synthetis of Symbolism concept with the concept of emotional inhabitation and intellectual contemplation. In the 20th century, new ideas and aesthetical

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āļŠāļļāļ™āļ—āļĢāļĩāļĒāļ—āļąāļĻāļ™āđŒāđāļšāļšāđ€āļ‹āđ‡āļ™āđƒāļ™āļ‡āļēāļ™āļĻāļīāļĨāļ›āļ°āļ‚āļ­āļ‡āļ„āļēāļĄāļīāļ™ āđ€āļĨāļīāļĻāļŠāļąāļĒāļ›āļĢāļ°āđ€āļŠāļĢāļīāļ

āļ­āļīāļŠāļĢāļ° āļ•āļĢāļĩāļ›āļąāļāļāļē, Isara Treepunya (2020)

This article aims to analyse Kamin Lertchaiprasert's works of art by using an analysis framework of Zen aesthetic The analysis uses both data collected from artists' in-depth-interview, and documentary data. The Zen aesthetical framework used... in this study focuses on the problem of value and aesthetic experience. The study found that the value of Kamin's works of art is subjective. The value derived from the working process rather than the complete art object. Kamin's art object can be defined

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āļžāļļāļ—āļ˜āļŠāļļāļ™āļ—āļĢāļĩāļĒāļĻāļēāļŠāļ•āļĢāđŒāļ”āļąāļ‡āļ—āļĩāđˆāļŠāļ°āļ—āđ‰āļ­āļ™āđƒāļ™āļ§āļĢāļĢāļ“āļāļĢāļĢāļĄ āđ€āļĢāļ·āđˆāļ­āļ‡ āļ—āļēāļ‡āļ™āļĪāļžāļēāļ™ āļ‚āļ­āļ‡āļ”āļąāļ‡āļ•āļĪāļ“

āļŠāļąāļāļāļē āļ‚āļ§āļąāļāļ—āļ­āļ‡āļĒāļīāđ‰āļĄ, āļšāļēāļĢāļĄāļĩ āļ­āļĢāļīāļĒāļ°āđ€āļĨāļīāļĻāđ€āļĄāļ•āļ•āļē, āļ˜āđ€āļ™āļĻ āļ›āļēāļ™āļŦāļąāļ§āđ„āļœāđˆ, Chunya Khwantongyim, Baramee Ariyalerdmetta, Tanet Panhuaphai (2021)

The objectives of this research were to study the Buddhist aesthetics value, to study the literature of Dungtrin’s The Road to Nirvana, and subsequently the Buddhist aethetics as reflected in The Road to Nirvana. The result of the research showed... that Buddhism was both religious and worldly aesthetics. Examples of religious aesthetics such as alm givng, observing precepts, making meditation, strengthening intellect created authentic happiness and internal peacefulness, thus religious aesthetics

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āđāļ™āļ§āļ„āļīāļ”āļ—āļēāļ‡āļŠāļļāļ™āļ—āļĢāļĩāļĒāļĻāļēāļŠāļ•āļĢāđŒāđƒāļ™āļ‡āļēāļ™āļˆāļīāļ•āļĢāļāļĢāļĢāļĄāļ‚āļ­āļ‡ āļ›āļēāđ‚āļšāļĨ āļ›āļīāļāļąāļŠāđ‚āļ‹

āđ€āļˆāļ•āļ™āļē āđāļŠāļ§āļ‡āļ™āļēāļĄ, Jettana Savangnam (2018)

This article is a part of the thesis entitled Aesthetical Concept in Pablo Pi-casso’s Paintings which has the objective for analyzing the aesthetical concept in the paintings of Pablo Picasso. This research is based on three aesthetic frameworks: 1...) Aesthetic Attitude 2) Aesthetic Experience and 3) Aesthetic Value. This is a documentary research based on textbooks and twenty paintings of Pablo Picasso from 1903 to 1972 CE.From the study it has been found that Picasso’s paintings do not only

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āļŠāļļāļ™āļ—āļĢāļĩāļĒāļĻāļēāļŠāļ•āļĢāđŒāļāļąāļšāļĻāļīāļĨāļ›āļ°: āļˆāļēāļāļāļēāļĢāđ€āļŠāļ™āļ­āļ āļēāļžāļ•āļąāļ§āđāļ—āļ™āļ–āļķāļ‡āļŠāļļāļ™āļ—āļĢāļĩāļĒāļ°āđ€āļŠāļīāļ‡āļŠāļąāļĄāļžāļąāļ™āļ˜āđŒ

āļ—āļąāļāļĐāļīāļ“āļē āļžāļīāļžāļīāļ˜āļāļļāļĨ, Tuksina Pipitkul (2016)

āļāļąāļšāļĄāđ‚āļ™āļ—āļąāļĻāļ™āđŒāļ‚āļ­āļ‡āļŠāļļāļ™āļ—āļĢāļĩāļĒāļ°āđ€āļŠāļīāļ‡āļŠāļąāļĄāļžāļąāļ™āļ˜āđŒ (Relational Aesthetics)...his article is a result of the interview with experts from Aesthetics and Art field. The topic covered the concept of Aesthetics and Western Art which has a fundamental core on approaching the truth. To approach the truth, the concept

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āļŠāļļāļ™āļ—āļĢāļĩāļĒāļ°āļāļąāļšāđāļŸāļŠāļąāđˆāļ™āđāļĨāļ°āļŠāļąāļ‡āļ„āļĄāđ„āļ—āļĒāđƒāļ™āļ›āļąāļˆāļˆāļļāļšāļąāļ™

āļĻāļĩāļĄāļēāļĻ āļ›āļĢāļ°āļ—āļĩāļ›āļ°āļ§āļ“āļīāļŠ, Simart Prateepavanich (2016)

The term of Aesthetics, the art of beauty, was coined in 1750 by aGerman philosopher, Alexander Gottrib Baumgaten. Throughout the history,it has been widely practiced among generations of artist and designer whohave recognized the same core... of Baumgaten’s original approach andphilosophy to the beauty from the beginning. However the impact of newtechnology in communication to the society has clouded the core philosophy of Aesthetics. Turning sensation and perception that have defined themeaning

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āļ§āļīāđ€āļ„āļĢāļēāļ°āļŦāđŒāļ„āļļāļ“āļ„āđˆāļēāđ€āļŠāļīāļ‡āļĄāđ‚āļ™āļ—āļąāļĻāļ™āđŒāļ—āļēāļ‡āļžāļļāļ—āļ˜āļŠāļļāļ™āļ—āļĢāļĩāļĒāļĻāļēāļŠāļ•āļĢāđŒāļāļąāļšāļāļēāļĢāļŦāļĒāļąāđˆāļ‡āļĢāļđāđ‰āļ˜āļĢāļĢāļĄ

āđ€āļĒāļ·āđ‰āļ­āļ‡ āļ›āļąāđ‰āļ™āđ€āļŦāļ™āđˆāļ‡āđ€āļžāđ‡āļŠāļĢāđŒ, Yueng Pannengpetch (2018)

This article is part of a research study entitled ―An Analysis on the Buddhist Æsthetics Conceptual Value towards the Doctrinal Penetration‖ consists of three objectives as (1), to investigate the Buddhist... aesthetic conceptual value 2) to explore the Buddhist aesthetic concept and 3) to analyze on the Buddhist aesthetic conceptual value towards the doctrinal penetration. The research was conducted by the qualitative research method

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āļŠāļļāļ™āļ—āļĢāļĩāļĒāļĻāļēāļŠāļ•āļĢāđŒāđƒāļ™āļŦāļ™āļąāļ‡āļŠāļ·āļ­āļāļēāļĢāđŒāļ•āļđāļ™āļāļĩāđˆāļ›āļļāđˆāļ™

āļ™āļąāļšāļ—āļ­āļ‡ āļ—āļ­āļ‡āđƒāļš (2016)

The objective of this article is to present an analysis approach of Japanese comic in aesthetically conceptual framework. The aesthetics in Japanese comic is derived from the search for novelty which is distinct from what the readers are familiar...and (2) the dimension of contents which can be considered according to components of narration, especially the creation of comic characters. The presentation of aesthetics in Japanese comic is to encourage the creators, readers and academicians