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āļāļ§āļēāļĄāđāļāđāļēāđāļāđāļāļāļĪāļĐāļāļĩāļŠāļļāļāļāļĢāļĩāļĒāļ°
āļŠāļļāļāļāļāđ āļāļīāļāļŠāļļāļāļāļīāļāļēāļ, SupotChittasutthiyan (2013)
āļŠāļļāļāļāļĢāļĩāļĒāļĻāļēāļŠāļāļĢāđ āđāļāđāļāļĻāļēāļŠāļāļĢāđāļāļĩāđāļāļĩāđāļāļđāļāļāļķāļāđāļĢāļ·āđāļāļāļāļāļāļāļ§āļēāļĄāļāļēāļĄ āļāļĪāļĐāļāļĩāļŠāļļāļāļāļĢāļĩāļĒāļ°āđāļāđāļāļāļĪāļĐāļāļĩāļāļĩāđāļ§āđāļēāļāđāļ§āļĒāđāļĢāļ·āđāļāļāđāļāļĩāđāļĒāļ§āļāļąāļāļāļ§āļēāļĄāļāļēāļĄāļāļēāļĄāļāļĩāđāđāļāđāļēāđāļāļāļąāļāđāļāļĒāļāļąāđāļ§āđāļ āđāļāđāļāļēāļĢāļāļĩāđāļāļ°āđāļāđāļēāđāļāđāļāļāļĪāļĐāļāļĩāļŠāļļāļāļāļĢāļĩāļĒāļ° āļāđāļāļāđāļāđāļēāđāļāđāļāļāļāļāđāļāļĢāļ°āļāļāļāļāļ·āđāļāđāļāļĩāļ 3 āđāļĢāļ·āđāļāļāļāđāļ§āļĒāļāļąāļ āļāļ·āļ 1)āļŠāļļāļāļāļĢāļĩāļĒāļ āļēāļ§āļ° (Aesthetic State) 2...) āļĢāļđāļāđāļāļāļŠāļļāļāļāļĢāļĩāļĒāļ° (Aesthetic State) āđāļĨāļ°3) āļāļĪāļĐāļāļĩāļāļāļāļāļ§āļēāļĄāļāļēāļĄ (Theory of Beauty)āļŠāļļāļāļāļĢāļĩāļĒāļ āļēāļ§āļ°āļāļ·āļāļāļ§āļēāļĄāļĄāļĩāļāļĒāļđāđāļāļāļāļāļ§āļēāļĄāļāļēāļĄ āļāļķāđāļāļāđāļāļāđāļāđāļēāđāļāļ§āđāļēāļĄāļĩāļāļĒāļđāđāļāļĒāđāļēāļāđāļĢāļāļĒāļđāđāđāļāļŠāļ āļēāļ§āļ°āđāļ āļĢāļđāļāđāļāļāļŠāļļāļāļāļĢāļĩāļĒāļ° āļāļ·āļāđāļĢāļ·āđāļāļāļāļāļāļŠāļīāđāļāļāļĩāđāđāļĢāļēāđāļĢāļĩāļĒāļāļ§āđāļēāļŠāļļāļāļāļĢāļĩāļĒāļ°āļāļąāđāļāļĄāļĩāļāļĒāļđāđāļāļĩāđāļĢāļđāļāđāļāļ āļāļķāđāļāđāļāļĒāļāļąāđāļ§āđāļāđāļĢāļēāļāļ°āļāļđāļāļāļķāļ
āļĄāļīāļāļīāļŠāļļāļāļāļĢāļĩāļĒāļĻāļēāļŠāļāļĢāđāđāļāļāļĢāļīāļĒāļĻāļēāļŠāļāļĢāđāļāļāļāļ·āđāļ
āļāļąāļāļāļīāļāļē āđāļŠāļāļāļąāļĒ, Anticha Sangchai (2014)
The observation that aesthetics has a crucial role to play in Confucius' ethics and that there are significant aesthetic elements in Confuciusâ ethics has been widely noted in Chinese Philosophy. However there is yet to be a systematic study... on the complex relationships between aesthetics and ethics in Confuciusâ philosophy. This dissertation proposes that Confuciusâ exploration of aesthetics was an attempt to re-construct the possibility of a good life and a flourishing society during the Spring
āļāļīāļāļāļīāļāļĨāļāļēāļāļŠāļļāļāļāļĢāļĩāļĒāļĻāļēāļŠāļāļĢāđāļāļāļāļāļīāļ§āļāļīāļŠāļĄāđāļāļĩāđāļĄāļĩāļāđāļāļĻāļīāļĨāļāļ°āļĒāļļāļāļŦāļĨāļąāļāļŠāļĄāļąāļĒāđāļŦāļĄāđ
āļŠāļĢāļĢāđāļŠāļĢāļīāļ āļŠāļąāļāļāļīāļāļĒāļ°āļ§āļāļĻāđ, Sansern Santitayawong (2017)
Cubism is the most significant art movement in the 20th century, which resulted in two major characteristics : Geometrical abstraction and Art anti Art. The "Art anti Art" is one of the most important revolution in the western-aesthetics principle... which influences Postmodern Art. This study shows the aesthetical development of Cubism from the synthetis of Symbolism concept with the concept of emotional inhabitation and intellectual contemplation. In the 20th century, new ideas and aesthetical
āļŠāļļāļāļāļĢāļĩāļĒāļāļąāļĻāļāđāđāļāļāđāļāđāļāđāļāļāļēāļāļĻāļīāļĨāļāļ°āļāļāļāļāļēāļĄāļīāļ āđāļĨāļīāļĻāļāļąāļĒāļāļĢāļ°āđāļŠāļĢāļīāļ
āļāļīāļŠāļĢāļ° āļāļĢāļĩāļāļąāļāļāļē, Isara Treepunya (2020)
This article aims to analyse Kamin Lertchaiprasert's works of art by using an analysis framework of Zen aesthetic The analysis uses both data collected from artists' in-depth-interview, and documentary data. The Zen aesthetical framework used... in this study focuses on the problem of value and aesthetic experience. The study found that the value of Kamin's works of art is subjective. The value derived from the working process rather than the complete art object. Kamin's art object can be defined
āļāļļāļāļāļŠāļļāļāļāļĢāļĩāļĒāļĻāļēāļŠāļāļĢāđāļāļąāļāļāļĩāđāļŠāļ°āļāđāļāļāđāļāļ§āļĢāļĢāļāļāļĢāļĢāļĄ āđāļĢāļ·āđāļāļ āļāļēāļāļāļĪāļāļēāļ āļāļāļāļāļąāļāļāļĪāļ
āļāļąāļāļāļē āļāļ§āļąāļāļāļāļāļĒāļīāđāļĄ, āļāļēāļĢāļĄāļĩ āļāļĢāļīāļĒāļ°āđāļĨāļīāļĻāđāļĄāļāļāļē, āļāđāļāļĻ āļāļēāļāļŦāļąāļ§āđāļāđ, Chunya Khwantongyim, Baramee Ariyalerdmetta, Tanet Panhuaphai (2021)
The objectives of this research were to study the Buddhist aesthetics value, to study the literature of Dungtrinâs The Road to Nirvana, and subsequently the Buddhist aethetics as reflected in The Road to Nirvana. The result of the research showed... that Buddhism was both religious and worldly aesthetics. Examples of religious aesthetics such as alm givng, observing precepts, making meditation, strengthening intellect created authentic happiness and internal peacefulness, thus religious aesthetics
āđāļāļ§āļāļīāļāļāļēāļāļŠāļļāļāļāļĢāļĩāļĒāļĻāļēāļŠāļāļĢāđāđāļāļāļēāļāļāļīāļāļĢāļāļĢāļĢāļĄāļāļāļ āļāļēāđāļāļĨ āļāļīāļāļąāļŠāđāļ
āđāļāļāļāļē āđāļŠāļ§āļāļāļēāļĄ, Jettana Savangnam (2018)
This article is a part of the thesis entitled Aesthetical Concept in Pablo Pi-cassoâs Paintings which has the objective for analyzing the aesthetical concept in the paintings of Pablo Picasso. This research is based on three aesthetic frameworks: 1...) Aesthetic Attitude 2) Aesthetic Experience and 3) Aesthetic Value. This is a documentary research based on textbooks and twenty paintings of Pablo Picasso from 1903 to 1972 CE.From the study it has been found that Picassoâs paintings do not only
āļŠāļļāļāļāļĢāļĩāļĒāļĻāļēāļŠāļāļĢāđāļāļąāļāļĻāļīāļĨāļāļ°: āļāļēāļāļāļēāļĢāđāļŠāļāļāļ āļēāļāļāļąāļ§āđāļāļāļāļķāļāļŠāļļāļāļāļĢāļĩāļĒāļ°āđāļāļīāļāļŠāļąāļĄāļāļąāļāļāđ
āļāļąāļāļĐāļīāļāļē āļāļīāļāļīāļāļāļļāļĨ, Tuksina Pipitkul (2016)
āļāļąāļāļĄāđāļāļāļąāļĻāļāđāļāļāļāļŠāļļāļāļāļĢāļĩāļĒāļ°āđāļāļīāļāļŠāļąāļĄāļāļąāļāļāđ (Relational Aesthetics)...his article is a result of the interview with experts from Aesthetics and Art field. The topic covered the concept of Aesthetics and Western Art which has a fundamental core on approaching the truth. To approach the truth, the concept
āļŠāļļāļāļāļĢāļĩāļĒāļ°āļāļąāļāđāļāļāļąāđāļāđāļĨāļ°āļŠāļąāļāļāļĄāđāļāļĒāđāļāļāļąāļāļāļļāļāļąāļ
āļĻāļĩāļĄāļēāļĻ āļāļĢāļ°āļāļĩāļāļ°āļ§āļāļīāļ, Simart Prateepavanich (2016)
The term of Aesthetics, the art of beauty, was coined in 1750 by aGerman philosopher, Alexander Gottrib Baumgaten. Throughout the history,it has been widely practiced among generations of artist and designer whohave recognized the same core... of Baumgatenâs original approach andphilosophy to the beauty from the beginning. However the impact of newtechnology in communication to the society has clouded the core philosophy of Aesthetics. Turning sensation and perception that have defined themeaning
āļ§āļīāđāļāļĢāļēāļ°āļŦāđāļāļļāļāļāđāļēāđāļāļīāļāļĄāđāļāļāļąāļĻāļāđāļāļēāļāļāļļāļāļāļŠāļļāļāļāļĢāļĩāļĒāļĻāļēāļŠāļāļĢāđāļāļąāļāļāļēāļĢāļŦāļĒāļąāđāļāļĢāļđāđāļāļĢāļĢāļĄ
āđāļĒāļ·āđāļāļ āļāļąāđāļāđāļŦāļāđāļāđāļāđāļāļĢāđ, Yueng Pannengpetch (2018)
This article is part of a research study entitled âAn Analysis on the Buddhist Ãsthetics Conceptual Value towards the Doctrinal Penetrationâ consists of three objectives as (1), to investigate the Buddhist... aesthetic conceptual value 2) to explore the Buddhist aesthetic concept and 3) to analyze on the Buddhist aesthetic conceptual value towards the doctrinal penetration. The research was conducted by the qualitative research method
āļŠāļļāļāļāļĢāļĩāļĒāļĻāļēāļŠāļāļĢāđāđāļāļŦāļāļąāļāļŠāļ·āļāļāļēāļĢāđāļāļđāļāļāļĩāđāļāļļāđāļ
āļāļąāļāļāļāļ āļāļāļāđāļ (2016)
The objective of this article is to present an analysis approach of Japanese comic in aesthetically conceptual framework. The aesthetics in Japanese comic is derived from the search for novelty which is distinct from what the readers are familiar...and (2) the dimension of contents which can be considered according to components of narration, especially the creation of comic characters. The presentation of aesthetics in Japanese comic is to encourage the creators, readers and academicians